The synopsis below may give away important plot points. Jennifer is concerned mainly with her appearance, relationships and popularity, while David watches a lot of television, has few friends, and is socially awkward. Their mother Jane Kaczmarek leaves Jennifer and David alone at home while she heads out of town for a rendezvous with her younger boyfriend. The twins begin to fight over the use of the downstairs TV; Jennifer wants to watch an MTV concert with her date, Mark Davis, while David hopes to watch a marathon of his favorite show, Pleasantville.
Film The film Pleasantville directed by Gary Ross is about two modern teenagers, David and his sister Jennifer, somehow being transported into the television, ending up in Pleasantville, a s black and white sitcom.
Ross cleverly uses cinematic techniques such as colour, mise-en-scene, camera shots, costumes, music and dialogue to effectively tell the story. Black and white life is simple and uncomplicated. Johnson and Skip changing it from sedate to a lively environment.
Not only do the town people change, they become liberated. Colour is used impressively throughout the film and plays a huge role as a cinematic device representing liberation and change.
This is highlighted in the Lovers Lane scene when Bud and Margaret are driving to their first date. This striking scene depicted coloured pink blossoms falling from the trees onto their black and white skin.
The juxtaposition between black and white here is also significant because it shows how things are changing. The black and white and color images blend pretty seamlessly.
The viewer notices how this couple wonders at the petals instead of noticing the surroundings with strong elements of conservatism.
These passions were considered to be absent from the idealized s. Everyone in Pleasantville had a routine which was strictly followed day to day.
Everyone wore the same style of clothes. Even the houses were the same, with picket fences adorning houses and everyone having the same car.
Ross uses mise-en-scene to contrast idealistic, conservative American views and reality. He highlights the fact that the people of Pleasantville like everything to be kept to a routine. Their world has little time for change and is a complete contrast to realistic America.
Fifties clothing was conservative. Men wore gray flannel suits and women wore dresses with pinched in waists and high heels. Gender roles were strongly held. Families worked together, played together and vacationed together at family themed entertainment. Indecent language was not used frequently.
Camera shots and angles are also used by Ross as a cinematic technique.The film ‘Pleasantville’ is about two modern teenagers, David and his sister Jennifer, somehow being transported into the television, ending up in Pleasantville – a s black and white sitcoms. Practice analysis of ‘Pleasantville’ ‘Pleasantville’ is an expertly crafted film in which one can appreciate and be exposed to the social issues America faced during the ’s.
The courtroom scene towards the end of the film successfully encapsulates the essence of the film: a characters transformation from repression to enlightenment..
While the . Pleasantville is a film that uses stylistic conventions to help anchor the ideas suggested by the plot and reinforce the meaning of the text.
There are many ways it does this. The narrative starts of from TV stations giving the idea of sci-fi as the basic genre. Pleasantville is introduced. Film Analysis of the Movie Pleasantville In the movie Pleasantville two teenagers from the ’s, David and Jennifer, enter into a television show that takes place during the ’s.
Pleasantville is a simple place, a place where all of its citizens are swell and simple-minded folks, a place where the word "violence", and life outside of Pleasantville, is unbeknownst to its inhabitants; things are perfect down in Pleasantville. Pleasantville is a comedy-drama film written, co-produced, and directed by Gary Ross.
It stars Tobey Maguire, Jeff Daniels, Joan Allen, William H. Macy, J. T. Walsh, and Reese Witherspoon, with Don Knotts, Paul Walker, and Jane Kaczmarek in supporting roles.